![]() ![]() Samantha does have an important character and the climax scene where she talks about Savitri is so heartwarming. Keerthy enacting Savitri’s Mayabazaar, Missiamma, and other film character roles are likely to be a few stand-out moments. Cameos from Naga Chaitanya and other actors have been beautifully twined with the script without overdoing it. It is a biopic on a heroine and his character also has a dash of negative shade to it but he has completely lived the role. But the second-half is where you get emotionally attached to the script and you are most likely to fall in love with Savitri towards the end when there is a recap of her entire life.ĭulquer needs to be appreciated for accepting a bold role as this. And a few heroine glorification scenes in the first-half constantly remind that it is just a film and nothing more than that. Few characters like the one who plays Samantha’s father look misfit. ![]() There are a few scenes that are over the top and could have been toned down a bit. Though it might seem a little too dramatic, Nag Ashwin deserves a pat for portraying a complex story in a neat and graceful manner. The complexity in the Gemini Ganesan and Savitri relationship is dealt extremely well. And even when the second-half has a lot of sad scenes, your attention doesn’t divert one bit. Though the film moves at a leisurely pace, you don’t find it boring. Nag Ashwin’s boldness to show both the sides in a poignant way is what Nadigaiyar Thilagam’s USP is. When it is a biopic, you need to talk about both the positive and the negative side of them. Biopics on film actors is a rarity in the South Indian film industry.
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